I’m very proud to own the only existing canvas in the world with paintings of both Daniel Richter and Jonathan Meese on it!!!
…. Errrr …
Well, perhaps it could also be the doubtful leftover of a lovely Foley recording session, blindly painted in sync with the running picture, and of course staring at the screen instead of seeing what I was doing..

What great fun it was to dive deep into new territory and to create the Sound Design and Foley for this brilliant cinema documentary by director Pepe Danquart!
Our second collaboration is full of super-detailed Foley, as I re-created literally every single brush / oilstick / spatula / pen stroke in this 2-hour opus. But don’t worry, there were enough parrot wing flaps to do for a change..